Beez in the trap mean
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This week, the 25-year-old performer rewards fans who have stuck with her since that viral hit, and beyond, with Planet Her, her third and best studio album to date.ĭoja’s 2019 release was a glut of plastic funk-pop tunes produced by Dr. She is the daughter of Jewish and South African parents who split her young years between New York and California, a classically trained dancer with experience in underground competitions, a pothead battle rapper who can carry a tune, a chat-room enthusiast, and a self-taught songwriter whose skills in GarageBand and Photo Booth produced a 2018 novelty single called “ Mooo!” (“Bitch, I’m a cow!”). Many different sounds converge on Doja Cat releases like 2018’s Amala and 2019’s Hot Pink, just as many wires have crossed in her life. And then there’s Doja Cat - the always entertaining, occasionally frustrating star who is piecing together a body of work that feels like the logical conclusion to what Pink Friday first attempted.
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Saweetie is on songs with everyone from Little Mix to Gwen Stefani this year. Lil Nas X turned the tables on the country singers cribbing from rap with “ Old Town Road,” then flirted with the sounds of flamenco and pop-rock in subsequent hits. The artists coming up in their wake are even more versatile. Pop, rap, R&B, and dance music get along much better now thanks to the work of performers like Drake, the Weeknd, and Ariana Grande on songs like “Passionfruit,” “Can’t Feel My Face,” and “ 7 rings,” the cutting-edge production of contemporary hip-hop and R&B meets pop’s market-tested pliability. Nicki would never push that far again on a studio album, but others who followed have taken cues from what she learned. Nicki’s glossy lead single, “Starships,” charted globally, though not without complaint from hip-hop fans, who felt she was pandering. This sent savvy commercial artists like Usher and Rihanna lurching for club hits. When Nicki Minaj released her sophomore album Pink Friday: Roman Reloaded in spring 2012, it was a bold experiment, one-half slick dance-pop songs like “Pound the Alarm” and one-half killer-rhyme workouts like “Come on a Cone” and “Beez in the Trap.” It was a peculiar time for mainstream hip-hop: The Billboard charts were just starting to tabulate streaming data, Black music’s grip on the charts seemed to be slipping, and elsewhere, big-tent EDM was ascending. This week the 25-year-old performer rewards fans who have stuck with her with Planet Her, her third and best studio album to date.